4.7/5
Enjoy the peace of mind that this amp is backed by Fender's 5 Year Transferable Warranty.
A beefy 40 watt class D power amp and ported speaker enclosure pumps volume and deep bass response but keeps this amp very light in weight - only 18 pounds!
Practice privately with the 1/8" headphone output jack that also mutes the speaker output.
Jam along with your favorite tracks by simply plugging your MP3 player into the 1/8" Auxiliary input jack and instantly become part of the band.
Expore bass tones from classic gritty growl to slap-worthy modern punch with the newly-developed overdrive circuit and switchable contour controls
$234
"Music To Your Ears" is an article from The New Yorker published January 28, 2013. The majority of the lowest notes on the majority of pianos are actually implied rather than heard, according to Daniel Levitin (https://en.wikipedia.org/wiki/Daniel Levitin). The brain hears the appropriate overtones, which the piano can create, and neurons in the brain start to activate at the frequency of the missing bass note since the soundboard on most pianos isn't long enough to produce the bottom octave.In the 1950s and 1960s, "hi-fi" consoles leveraged this psychoacoustic quirk to create the illusion of deep bass without really having an extended low frequency response.The Rumble 25 follows the same pattern. I measured this combination's response, which is depicted in the graph. The controls are all set at 12:00 on the red curve. The blue curve demonstrates that with the settings adjusted as follows, it can indeed generate a pretty flat response from 90 Hz to 2.5 kHz, /-3 dB: Mid at nine o'clock, the high at completely ccw, and the bass at noon. This indicates that it can only replicate the lower bass octave's second harmonic (40 Hz to 80 Hz). The 10 dB down point for a vented enclosure is roughly 70 Hz due to the typical 18 dB/octave roll-off. Remember that the 12th harmonic of a high A (220 Hz) on a bass is 2.64 kHz while discussing the 2.5 kHz frequency. Both the low compliance of the driver and the box's appearance as being tuned to roughly 100 Hz are in agreement with the measurements. A 1/3 octave cepstral technique is used to smooth these curves in order to eliminate small, unnoticeable fluctuations in the measurements.A significant resonant peak at little over 3 kHz, or half the driver diameter, may be heard. With the High control fully ccw, this is somewhat subdued, but it is still approximately 7 dB above average. This resonant peak is not at all surprising given that the paper cone is fairly rigid and that no attempt has been made in its construction to dampen sound waves as they pass through the cone material. The bass's 220 Hz high A's 16th harmonic is represented by this peak. This peak is likely a useful "feature" for the slap bass attacks (which I don't play). Otherwise, it really doesn't matter much.Having said that, the Rumble 25 is effective for me. Although it lacks any useable output much below 100 Hz, it was inexpensive, tiny, and lightweight, and despite this, it "sounds" like a respectable bass loudspeaker. It works well for both my electric and acoustic basses, both of which sound best through a flat response system, with the parameters set as specified for the flattest response. The first is a completely original 1963 Fender Jazz, and the second has an NS Design "Copperhead" pickup that Ned kindly gave to me in exchange for helping one of his sons learn to play bass.The Rumble 25 meets the requirements for acoustic gigs, even those using a PA for rooms with an audience of between 75 and 100 people. I have my "big" equipment for louder gigs and bigger places. This is a bespoke configuration with a response that is ruler flat from 40 Hz to 2.5 kHz. It costs more than 20 times as much as the Rumble 25 and is five times heavier due to the separate EQ, amplifier, and loudspeaker it comprises of. I decided to test the Rumble 25 for smaller gigs because of this. For what it's worth, I play music from classical to rock across the board.The built-in, non-adjustable "Delta-Comp" limiter by Fender is one feature I enjoy. When the amplifier is somewhat overdriven, this seems to perform pretty well in keeping things in check. It does produce some high frequency artifacts when you push it hard past the limit point. However, when the amplifier is working at its maximum capacity, it is essentially undetectable other from slightly limiting the volume.I gave the Rumble 25 five stars despite its measured performance because it does exactly what I need it to.
4.7/5
Enjoy the peace of mind that this amp is backed by Fender's 5 Year Transferable Warranty.
Practice privately with the 1/8" headphone output jack that also mutes the speaker output.
Expore bass tones from classic gritty growl to slap-worthy modern punch with the newly-developed overdrive circuit and switchable contour controls
A beefy 100 watt class D power amp and ported speaker enclosure pumps volume and deep bass response but keeps this amp very light in weight - only 22 pounds!
Jam along with your favorite tracks by simply plugging your MP3 player into the 1/8" Auxiliary input jack and instantly become part of the band.
$234
"Music To Your Ears" is an article from The New Yorker published January 28, 2013. The majority of the lowest notes on the majority of pianos are actually implied rather than heard, according to Daniel Levitin (https://en.wikipedia.org/wiki/Daniel Levitin). The brain hears the appropriate overtones, which the piano can create, and neurons in the brain start to activate at the frequency of the missing bass note since the soundboard on most pianos isn't long enough to produce the bottom octave.In the 1950s and 1960s, "hi-fi" consoles leveraged this psychoacoustic quirk to create the illusion of deep bass without really having an extended low frequency response.The Rumble 25 follows the same pattern. I measured this combination's response, which is depicted in the graph. The controls are all set at 12:00 on the red curve. The blue curve demonstrates that with the settings adjusted as follows, it can indeed generate a pretty flat response from 90 Hz to 2.5 kHz, /-3 dB: Mid at nine o'clock, the high at completely ccw, and the bass at noon. This indicates that it can only replicate the lower bass octave's second harmonic (40 Hz to 80 Hz). The 10 dB down point for a vented enclosure is roughly 70 Hz due to the typical 18 dB/octave roll-off. Remember that the 12th harmonic of a high A (220 Hz) on a bass is 2.64 kHz while discussing the 2.5 kHz frequency. Both the low compliance of the driver and the box's appearance as being tuned to roughly 100 Hz are in agreement with the measurements. A 1/3 octave cepstral technique is used to smooth these curves in order to eliminate small, unnoticeable fluctuations in the measurements.A significant resonant peak at little over 3 kHz, or half the driver diameter, may be heard. With the High control fully ccw, this is somewhat subdued, but it is still approximately 7 dB above average. This resonant peak is not at all surprising given that the paper cone is fairly rigid and that no attempt has been made in its construction to dampen sound waves as they pass through the cone material. The bass's 220 Hz high A's 16th harmonic is represented by this peak. This peak is likely a useful "feature" for the slap bass attacks (which I don't play). Otherwise, it really doesn't matter much.Having said that, the Rumble 25 is effective for me. Although it lacks any useable output much below 100 Hz, it was inexpensive, tiny, and lightweight, and despite this, it "sounds" like a respectable bass loudspeaker. It works well for both my electric and acoustic basses, both of which sound best through a flat response system, with the parameters set as specified for the flattest response. The first is a completely original 1963 Fender Jazz, and the second has an NS Design "Copperhead" pickup that Ned kindly gave to me in exchange for helping one of his sons learn to play bass.The Rumble 25 meets the requirements for acoustic gigs, even those using a PA for rooms with an audience of between 75 and 100 people. I have my "big" equipment for louder gigs and bigger places. This is a bespoke configuration with a response that is ruler flat from 40 Hz to 2.5 kHz. It costs more than 20 times as much as the Rumble 25 and is five times heavier due to the separate EQ, amplifier, and loudspeaker it comprises of. I decided to test the Rumble 25 for smaller gigs because of this. For what it's worth, I play music from classical to rock across the board.The built-in, non-adjustable "Delta-Comp" limiter by Fender is one feature I enjoy. When the amplifier is somewhat overdriven, this seems to perform pretty well in keeping things in check. It does produce some high frequency artifacts when you push it hard past the limit point. However, when the amplifier is working at its maximum capacity, it is essentially undetectable other from slightly limiting the volume.I gave the Rumble 25 five stars despite its measured performance because it does exactly what I need it to.
4.7/5
Feature: This Fender Eliminator is designed to retain the factory Kawasaki Z650 & Ninja 650 license plate light and compatible with the OEM Kawasaki Z650 & Ninja 650 turn signals.
Material: Stainless steel bracket, Powder coated finish, improves durability and corrosion resistance and ensures better performance and longer life.
Function: To tidy up your bike with the Fender Eliminator and eliminate that big bulky OEM fender while improving the appearance of your riding.
Package includes: 1pcs of Fender Eliminator, 4 pcs of screw caps, 2 pcs of gaskets, for easy installation..
Fit: Designed for KAWASAKI Z 650 2017-2019; KAWASAKI NINJA 650 2017-2019.
$234
This is, in my opinion, the most crucial modification for any street bike. You ought to acquire this even if you wanted to keep your bike stock. It looks extremely fantastic! I detested the factory fender's appearance on such a stunning bike. Because they are more visible than integrated tail light/turn signal combos and I think they look good, I really like that I was able to preserve the standard Kawasaki turn signals.Despite the lack of instructions, the installation went quite smoothly. Someone mentioned a YouTube video offering installation instructions for a nearly identical fender eliminator as I read the reviews or responded to inquiries about this product.
4.6/5
Includes two 6. 5” x 22” BoatTector fenders and two 3/8” x 5' fender lines
Reinforced molded eyelets ensure longevity and strength
UV stabilized, chemically resistant
Equipped with a needle valve to inflate or deflate each fender to a desired pressure (needle valve pump not included)
Two-year limited
$234
Your text will be rewritten by QuillBot. Start by typing or pasting something into this box, then hit the enter key.
4.6/5
Reinforced molded eyelets ensure longevity and strength
Equipped with a needle valve to inflate or deflate each fender to a desired pressure (needle valve pump not included)
UV stabilized, chemically resistant
Includes two 6” x 22” BoatTector fenders and two 3/8” x 5' fender lines
Two-year limited
$234
I'm the first to say that I have no idea what these even are. Although they state they are for boats up to 25 feet, we have a 26 foot boat, so my husband urged me to get them back in December, and I did. He said he is completely satisfied with them and believes he got a wonderful price when I asked him a few days ago how they are holding up and if he liked them. Although the cost has decreased since we bought them, they are still a good deal. They work well for our boat, which is a foot larger than the suggested size.
4.2/5
Made in the USA, since 2039
Long body mounts included to fit Rally Car Bodies
Completely adjustable body mounts so virtually any body will fit perfectly
Made from Ultra-Durable Nylon
Innovative screw on body mounting system ( Secure-Lock Cap )
$234
Although I'm new to RC trucks, when I purchased the Slash, I felt that the body height was far too low. Additionally, I've heard claims that the interior of the body rubs against the plastic geek bars on the side of the frame and that the interior of the wheel wells is also scratched by the tires (because of the body being too low).In order to position the body on the mounts and adjust the extender arms as necessary to achieve the ideal height, I put the extenders on and put toothpicks into the holes (perfect fit). I think this was really helpful. In order to tighten the caps, the pins that screw into the top of the mounts where the caps screw down must have a good 1/8 of an inch protruding out of the top (don't screw in all the way). The kit also includes 4 tiny rubber washers that fit over the pins to keep the caps from slipping while being jostled around.Since you wouldn't want overly ridged body mounts that would just break off after a solid hit, the arms are flexible as they should be. After final setup, I used a handsaw to trim the rear arms' overhang since I discovered that they were too long for the Slash and would otherwise obstruct the rear A arms' ability to move and the suspension's ability to move.I think this kit is a good alternative if you want to raise or lower the body of your RC car overall.
4/5
Injection molded poly construction won't rust or corrode
Durable and forgiving
Poly material is lightweight
Integrally molded ribs for added strength and spray reduction
$234
purchased 4 mounting kits, 4 fenders, and 4 additional sets of attachment brackets. For the fenders only. All but one of them were decent people. One fender had a casting flaw, which left a hole the size of a quarter slot on a video game where the plastic had not completely filled the space. 7–10 days after they receive the item before they will refund your money? F- that. I filled the space with a plastic welder. It'll be alright. With the additional kits suggested for this, mounting was quite straightforward. Should be effective. In case they don't, I'll update.
3.9/5
Fits 1980-2013 FLH and 1986-2008 FLSTC Models
$234
This skirt is well-made and really sturdy. I'll admit that I also assumed it was damaged when I got it out of the box and noticed the creases. But as I took it over to the bike, I saw that the creases perfectly match the flares on the fender. I've had this for a while and I'm really pleased with how it looks. The stock skirt started to deteriorate and separate. The only remaining issue is that, although just being a few months old, the stainless steel screws are already beginning to corrode. Not a deal breaker for me, and if they grow really bad, I'll probably replace the screws. Overall, installing it wasn't too difficult.I'd suggest buying their goods.
3.8/5
Easily adapt the position of your pontoon’s fenders to fit any dock height in just seconds
Removes the hassle of constantly tying and untying fender lines from your rails
Attaches and detaches quickly, high-impact plastic won’t scratch or stain
Snugly fits 1.25” square pontoon rails
Secures BoatTector fender lines up to 3/8”
$234
The rails on my 2017 Lowe pontoon boat did not fit them. Since they are plastic and a little too small, I used my heat gun on them. They fit perfectly once I simply warmed them up enough to broaden them somewhat. I was able to slide them onto my rails once they had warmed up. They perfectly fit and were molded to my boat in just a few minutes after they had cooled. They are currently serving the exact job for which they were intended, and I have had no problems. My wife and I both like them. Instead of tying the bumpers up, just clip them to the desired side. If these had fit my rails perfectly without any changes, I would have given them five stars. If you know how to operate a heat gun and are not afraid of them, I would suggest these.A blow dryer for hair might work, in my opinion. It can take a long time to warm up.
COPYRIGHT © 2019
