If you're planning on building a home theater or installing a large sound system, you may be wondering if you need a subwoofer. While subwoofers are not required for every audio setup, they can greatly improve the overall sound quality by providing deep, rich bass tones. If you enjoy movies with lots of action or listen to music with a strong bass presence, then a subwoofer is definitely a worthwhile investment.
If you're wondering if you need a subwoofer for mixing, the answer is maybe. It depends on the type of music you're mixing, the monitors you're using, and the room you're in. If you're mixing bass-heavy music, a subwoofer can help you hear the low frequencies more clearly. If you're using smaller monitors, a subwoofer can help them sound fuller. And if your room has a lot of low-frequency sound absorption, a subwoofer can help to compensate for that. Ultimately, it's up to you to decide if
Yes, recording studios typically use subwoofers to help capture low frequency sounds. Subwoofers can help to add depth and fullness to a recording, making it sound more accurate and realistic.
If you're just starting out in music production, you may be wondering if you need two studio monitors. The simple answer is no, you don't need two studio monitors. One studio monitor will suffice for most productions. However, having two studio monitors can be beneficial in a few ways. First, having two studio monitors allows you to create a wider stereo image. This can be helpful for mixing and mastering. Second, having two studio monitors can help you to better identify issues with your production. If you're not sure whether or not you need two studio monitors, start with one and see
4.7/5
Ultimate reliability through revolutionary cool-running high-density Class-D technology with "near-zero" Thermal buildup
Dsp section features sophisticated delay, crossover (3 filter types, up to 48 dB/octave), EQ (8 parametric, 2 dynamic), dynamics processing and lockable security settings
Ultra-efficient switch-mode power supply for noise-free audio, superior transient response and low power consumption
High-performance DSP and 24-bit/96 kHz converters deliver ultimate signal integrity and extreme dynamic range
Delivers 2 x 1500 watts into 2 ohms; 2 x 900 watts into 4 ohms; 3000 watts into 4 ohms (Bridge mode) and weighs less than 7.9 lbs/ 3.6 kg
$234
Use the fan on this device only for live events if the background noise is loud enough to drown it out. If you wish to use this in an environment where there can be quiet passages, you need either enclose it, divide it with some sort of barrier, or replace the noisy fan with a different one (I ended up swapping the fan
4.6/5
Ultimate reliability through revolutionary cool-running high-density Class-D technology with "near-zero" Thermal buildup
Dsp section features sophisticated delay, crossover (3 filter types, up to 48 dB/octave), EQ (8 parametric, 2 dynamic), dynamics processing and lockable security settings
Ultra-efficient switch-mode power supply for noise-free audio, superior transient response and low power consumption
High-performance DSP and 24-bit/96 kHz converters deliver ultimate signal integrity and extreme dynamic range
Delivers 2 x 1500 watts into 2 ohms; 2 x 900 watts into 4 ohms; 3000 watts into 4 ohms (Bridge mode) and weighs less than 7.9 lbs/ 3.6 kg
$234
Today is Day 1. I already own a set of JBL LSR305 headphones that I adore. However, I didn't like how weak the bass was or is. To complete the ensemble, I so purchased this subwoofer. Oh My! I opened up some music in iTunes once I had everything where I wanted it and had made all the connections. Pleasant but not quite right Thinking about increasing the gain to 4db. Yes, let's use all three speakers for that. iTunes should be restarted again. YES! That's lovely! That is sharp and DEEP. I experimented with the XLF crossover setting, but I like the 80hz better.This thing's size is one thing that surprised me. I have a subwoofer that is also a 10-inch speaker in our great room that is 1/3 the size of this beast. 18 inches tall and 15 inches on each side. Therefore, it takes up some space in my office/studio. It was SO worth it!Presonus AudioBox iTwo (https://www.amazon.com/gp/product/B00KBMAJZS/ref=oh aui detailpage o05 s02?ie=UTF8
4.5/5
LOW CUT switch, LOW CUT control (80-120Hz) HIGH CUT control (80-120 Hz)
22Hz - 150Hz frequency response
High-power 150W amplifierÂ
8inch bass-reflex powered subwoofer
PHASE switchÂ
$234
OMG! These guys' older, larger counterparts, the HS80s, which I possess, sound EXACTLY the same. Sub-100 Hz isn't as juicy, of course, but I acquired these because my space has altered and is now much smaller (30-50 sqf). These, KRK 5s, XR 624s (I couldn't get MRMK3s), JBL LSR305s, and some Genelec 8330As were used in a shootout. I'll state without a doubt that the Genelecs easily won the shootout. The Genie's cost about 800 bills each, which is a problem. Although these Yamaha speakers may not have had the same low-end response as the Genie speakers did, man, are they clearer than the others I listed. The majority of the others mostly drop the mids and have a fairly colorful sound. The flattest tires of the group were the HS5. For these guys, the extra $100 is worthwhile compared to the competition. DO IT! If you don't like them, it's worth the effort of returning them.
4.4/5
Bass extension to 28Hz with a max SPL of 117 dB
10" glass aramid composite woofer
Powerful, lightweight Class D amplification
Curved design with front-firing bass port for placement flexibility
Footswitch control enables/disables sub and crossover filter (footswitch not included)
$234
I spent a few months looking around the market for a reasonably priced studio subwoofer before settling on the KRK 10s V2. It has already surpassed every goal I had for it. By itself, the crossover has cleaned up my 5 "Because I love combo monitors so much, I should buy one. The amount of power this device can produce is really ridiculous. I'm happy to note that the 14" TRS outputs and the gain switch that allows users to convert from "high" gain to "nominal" gain were added to the first generation KRK 10s, which a buddy of mine owns "gain. On the front of the sub, they have included a status LED so you can see if it is on or clipping. You absolutely cannot find anything comparable in its pricing range, even at the $399 it is often sold for (I got lucky and bought this one for $319). Overall, I'm extremely happy with this purchase, and I hope that my evaluation will be helpful to anyone who are debating between different studio subwoofers.
4.4/5
8inch bass-reflex powered subwoofer.
22Hz - 150Hz frequency response.
Yamaha HS8S Powered Studio Subwoofer.
(3) Strukture PRO20M7 Heavy Duty XLR to XLR Cables - 20 ft Cables.
$234
I've finally made the decision to purchase this subwoofer to go with my Yamaha HS8, which I purchased last year. I was blown away by the sound after connecting everything and playing a CD through the system. It Has a Completely Different Sounding System. This is precisely what my studio required. Get the HS8S (with the XLR Cabels included) if your studio uses a pair of Yamaha HS5 or HS8 monitors. This technology will be used to mix RUFF's upcoming CD.
4/5
Heavy-duty nylon construction with padded interior
Custom-fitted for ELX200-12S and 12SP subwoofers
Helps protect gear during storage and transportation
$234
AWESOME SUB!if you are debating whether or not to subscribe. Simply get it. I once had an EV SBA 760 sub. I wanted to downsize because that thing was incredible, but it was too hefty and large to carry to concerts anymore, so I bought a Behringer B1200D-PRO, which tragically fell short of my expectations. The EV sub is incredible. Bars have a ton of loud bass. The bass end truly thumps when I use it for solo performances where I employ backing tracks. Bass and the kick drum both come through. The low end is apparent.
3.9/5
Ideal for portable and installed applications
High-efficiency 1200 W Class-D power amplifier delivers up to 129 dB peak SPL utilizing ultra efficient, high-sensitivity transducer designed and engineered by EV
Professional-grade hardware: integrated M20 threaded pole mount plate and two-handle design for easy lifting
EV QuickSmart Mobile application: quickly and wirelessly configure, control and monitor up to six ELX200 loudspeakers simultaneously
QuickSmartDSP features best-in-class processing
$234
AWESOME SUB!if you are debating whether or not to subscribe. Simply get it. I once had an EV SBA 760 sub. I wanted to downsize because that thing was incredible, but it was too hefty and large to carry to concerts anymore, so I bought a Behringer B1200D-PRO, which tragically fell short of my expectations. The EV sub is incredible. Bars have a ton of loud bass. The bass end truly thumps when I use it for solo performances where I employ backing tracks. Bass and the kick drum both come through. The low end is apparent.
3.8/5
Balanced XLR + TRS input jacks. Balanced XLR thru/output jacks for parallel connections.
600 Watts RMS / 1200 Watts Program / 2400 Watts Peak. 15" Woofer with 110oz Magnet and 4" Voice Coil.
Passive heat sink with heat sensitive variable speed auto turn-on fan for cooling. Subwoofer Crossover 50Hz-250Hz Low Pass.
Frequency Response: (+/-3dB) 30Hz - 120Hz. Maximum SPL @ 1w / 1m: 130dB Peak / 127dB Continuous.
Rockville RBG15FA 15" 2400W Pro Audio Folded Horn Active Powered Subwoofer.
Subwoofer Level Adjustment. Subwoofer Phase Control. Built-in XLR Balanced High pass Preamp Output @ 120Hz.
Power-On and Signal Input LED Indicators. Signal Input LED Indicator. Clip Limiter Circuitry with LED Indicator.
$234
First of all, I almost felt compelled to buy the first one. I came across this as I was setting up our system (6-piece live band plus I contract out PA services) for several uses. Rockville had an excellent reputation in the vehicle audio industry, and this device looked almost EXACTLY like a Mackie SWA1501 to me (see attached pic).In its initial generation, the Mackie version was fantastic. They went to hell after that. Generally, amp overheating When I compared the images of the Rockville version, the amp adjustment and fan addition were the two most noticeable differences. I then fired the gun.It seems to weigh a lot, at first. Some items were knocked around during shipping, and a corner was dented. Even though I was angry, it was a huge thing. THEN I connected it. I utilize the crossover rolloff with HPF delivered to the mains while using it in conjunction with a Presonus Air10. I was in awe. I purchased a second one about a month later. The second one was shipped much better, so they must have paid attention to the shipping problems.On average, we gig and/or utilize the system twice a month for at least four hours each night. You name it—indoors or out. Additionally, the entire system is used for practice once a week. Two years later, they are still kicking serious butt despite being beaten to HELL, relocated frequently, covered with beer, and ugly as sin.Employ the casters. Wheels should be locked when transportation. Every now and again, clean the fans. You can push them really far, but if you're running them in warm weather, pay attention to the clip lights. With these gentlemen, I have definitely gotten my money's worth. I wouldn't think twice about getting another one of them in the event that the current one ever died or was damaged.
3.5/5
Crossover Frequency Control allows you to adjust low frequency input: 50Hz – 150Hz. ¼†TRS input jack. Left and Right XLR input/outputs. RCA input/outputs. Woofer Impedance: 8 Ohm. Frequency Response: 34Hz - 150 KHz. 10" woofer with rubber surround and paper cone with painted
Rubber woofer surrounds increases sound quality and eliminates unwanted distortions. Computer Optimized Electronic Crossover Network filters out Highs and Mids. Front-Firing Port Shaped and Designed by Sound Engineers to Reduce Port Turbulence and Deliver Distortion Free Top Sound Quality!
The enclosure is built with the perfect amount of air space to maximize sound quality for a studio. The front-firing port is built to the perfect spec to enhance the sound. Class “D†Amplifier Circuitry with Auto-Switching Power Supply. LED Power on/Stand-by Indicator on Rear Panel
Specially Wound Voice Coils Produce Accurate Response along the Low Frequency Spectrum. Distortion-Free Playback Even at Max Volume Listening! Very Clean Sound! Transducer Production Line to Make the SPL Performance Stable. Shiny metal mesh grill
10" 400 Watt Active Studio Subwoofer in Black. Built-in Class D Amplifier. Enclosure is made of top quality MDF wood. Comes in 3 enclosure finish options Wood finish painted black. Wood finish painted white. Wood finish with vinyl front board
$234
I'm that "you can never have too much equipment" type and I'm a DJ with a LOT of equipment (reviews for most of that stuff are in my profile). A good set of studio monitors, however, would have been helpful for my practice sessions. Although I have subs and PA tops in my "lab," they are too loud for me to work on and, even when turned all the way down, do not correctly represent the musical range. There are monitors and a sub in my recording mix-down room, but it's not in the practice space. Consequently, purchasing specialized Monitors for practice was a no-brainer. It only makes sense that I would buy Rockville monitors as I already own Rockville speakers for all of my performances and other purposes.They sound fantastic for practicing, to put it simply. However, why don't they receive 5 stars? Look below.[THE GOOD] Build quality: The cabinets and speakers of the Monitors are both of excellent build quality. Each of the cabinets has a horizontal port on the upper back and is SOLID. The speakers seem to be constructed of a PU or rubber material. There are many industry-standard inputs, including RCA, XLR, and 1/4, on the back of the primary speaker, as shown in the images in the main description "TRS. Combination jacks for XLR and TRS work excellent because they take up less room. Sound: Once again, they sound fantastic. There is also a headphone "outlet" so you may attach earbuds or headphones to the monitors for private listening. At higher volumes, the mids and highs remain clear and undistorted. Treble and bass boost and limiters are located on the back of the main monitor. The switch can be adjusted to -4d (Bass or treble - individually), neutral for normal range, or 4 for a boost in either. After trying it in every position, I decided to leave them in neutral for a more natural frequency response for my needs. A bass clip light is also there, and this is something that I FIND IMPOSSIBLE. It's excellent that they included it, but what purpose is the clip in the back since the speakers are primarily utilized to face YOU, especially since many studios have the monitors mounted, etc.? Maybe I'm the only one, but I don't like the design. Deal: I think $150 is a terrific price for the height and sound of the Monitors you get, especially considering that you can spend more than that on other well-known speaker brands that are only 3 inches tall "not have the same frequency response as monitors.Let me now explain why I didn't give this monitor set five stars:THE CONSTANT HISSING/STATIC Rockville is renowned for being a more affordable audio brand. I recognize that. Because of this, they must make a sacrifice somewhere, and in this instance—and, in my opinion, with many of their speakers—they MUST skimp on the amplifiers. When turned on, all of my speakers—including the subwoofers—hiss continuously, even when no music is playing or is only playing softly. The louder speakers I own (all over 1600 watts peak/400 watts RMS) hiss A LOT, but that's okay because they are for large events and no one really notices the hissing because the music is so loud. In addition, because the music is so loud, no one dares stand close to them for fear of causing hearing damage, lol. Although it is not as loud as it is on my larger speakers, these speakers hiss like low white noise. When I perform or practice for mixtape recordings, I never notice the hissing. I only become aware of it when listening back at a lower volume.Additionally, the monitors are HUGE, with a footprint of 10" x 8.25" (and for some people, this might not be a bad thing). Due to their enormous size, I had planned to mount them on desktop speaker stands, but I'm skipping that today. They are roughly the same size (each) as the wireless sub I have connected to our soundbar in my bedroom. Just a word of warning for the gullible.Returning to the hissing I would NOT suggest them for professional studios if you are trying to mix down recordings due to the hissing. NO WAY. Since my PC has two monitors and a sub, I actually mix down recordings there. But once more, if you want to use these for DJ practice, they are ideal.* Low volume TV/movie watching * Professional level recording mixdowns [I WOULD NOT USE THESE FOR]*DJ practice and mixtape production *LOUD video game sessions *LOUD movie night/Netflix or Prime and Chill [I WOULD USE THESE FOR]Overall, I really enjoy these speakers since they can crank without distortion when they have to.I've also included a photo of my practice space for size comparison purposes with the Monitors. I have a 15.4" MacBook Pro, a 12.9" iPad Pro, and an about 27" Pioneer controller "long.... The Monitors are astonishingly large (for some).
It's not necessary for your subwoofer to match your speakers, but it can often create a more seamless listening experience. If you have mismatched speakers and a subwoofer, you may notice that the bass from the subwoofer sounds disconnected from the rest of the music. If you have the opportunity to match your subwoofer to your speakers, it's generally worth doing.
If you want more bass from your studio monitors, you can try a few things. First, try moving them closer to the wall. This will increase the bass response. You can also try using acoustic treatment to help absorb low frequencies and improve the bass response in your room. Finally, make sure your monitors are properly calibrated so they are reproducing the frequencies accurately.
There are a few things you need to take into account when setting up a studio subwoofer. First, you need to decide where you want the subwoofer to be placed. It's important to place the subwoofer in a spot where it will not cause any interference with your other studio equipment. Once you have decided on a location, you need to make sure that the subwoofer is level. This can be done by using a spirit level or by placing a ruler on the top of the subwoofer and making sure that it is level with the surface it is sitting
There isn't a definitive answer to how far away your subwoofer should be from your main speakers, as it depends on the size of your room and the power of your subwoofer. However, a good rule of thumb is to place your subwoofer one-third of the way back from the front wall of your room. This will help to ensure that the bass is evenly distributed throughout the room.
Yes, a 100W subwoofer is good. It will provide plenty of power for most people's needs and will produce quality sound.
If you're a fan of bass, then the answer is probably yes. A second subwoofer can provide a significant boost to the low end of your audio experience. Not only will you hear the bass more clearly, but you'll also feel it more. Whether it's worth the extra money is up to you, but for bass lovers, a second subwoofer is a great investment.
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