Yes, you can growl on tenor sax, but it takes some practice. The best way to growl is by using the back of your tongue and making a "rrr" sound. You can also use a growling technique called "overtones." This is where you make a sound with your saxophone that is higher than your normal range. To do this, you will need to use a lot of air and make a "rrr" sound again.
Different saxophone mouthpieces can make a difference in the sound that is produced. Each type of mouthpiece has its own unique characteristics that can alter the tone of the instrument. For example, a mouthpiece with a larger chamber will tend to produce a fuller, richer sound, while a smaller chamber will result in a brighter, more focused tone. Ultimately, the best mouthpiece for a particular player is the one that produces the sound they are looking for.
There are a few things you can do to make your tenor sax sound better. First, make sure you have a good reed and mouthpiece. A good reed will vibrate more easily and produce a better sound. A good mouthpiece will help you get a clear, focused sound. You can also try adjusting the position of your mouth and tongue on the mouthpiece. Experiment to see what works best for you. Finally, make sure you're using the correct embouchure. The right embouchure will help you produce a clear, powerful sound.
When choosing a tenor saxophone mouthpiece, there are a few things to consider. First, decide what kind of sound you want to produce. Mouthpieces come in different materials, sizes, and shapes, all of which affect the tone of your instrument. Next, think about your budget and what you're willing to spend on a mouthpiece. Finally, try out different mouthpieces to see which one feels the most comfortable for you to play.
4.5/5
Medium Facing
Tip Opening - 195 (1/100mm)
Slightly more open than TL3 producing a richer timbre
Works best with Vandoren #2.5-#4 Reeds
$234
This beats the Vandoren V5 T25 series, in my opinion. Despite the fact that I adored the V5's tone, I lacked the necessary "air." also when using a softer reed. By the way, I'm a total newbie. This has a wonderful sound, however not quite as good as the V5. I upgraded from a Yamaha 5c since the Yamaha had a nasty cut on the front or table that rendered it useless. Oh, I'm sure there were many fine ones, but I also don't get the idea of attaching a $25 mouthpiece to an expensive sax. Yes, even a novice can distinguish between the two. Maybe it's not you if you're having difficulties getting consistent sound from your piece of metal? It might be that cheap mouthpiece you're using, after all. For me, it was a "weak link" nonetheless. Although I still have a long way to go, the mouthpiece issue is resolved.
4.4/5
A good compromise between easy sound projection and timbre
Long Facing
Works best with Vandoren #2.5-#3.5 Reeds
Tip Opening - 270 (1/100mm)
$234
For me, this MPC represents a total turnabout. I needed something that would fit better with a large band sax section after playing a Dukoff D8 for nearly 30 years in small ensembles, and I found it!The V16 has a powerful yet controlled tone. It generates a tenor tone that is rich, lively, but not brassy. From top to bottom, it is readily operated, and most importantly for me: it plays in tune! I can sing through on solos when the time is right and yet match tone and pitch in all registers.Additionally, transitioning between bands is made really simple for me because I'm using the same MPC in both bands. I'm thinking about getting one for Bari next.
4.2/5
Tip Opening - 176 (1/100mm)
Roundness, depth and precision
Works best with Vandoren #2.5-#4 Reeds
Medium Short Facing
$234
This beats the Vandoren V5 T25 series, in my opinion. Despite the fact that I adored the V5's tone, I lacked the necessary "air." also when using a softer reed. By the way, I'm a total newbie. This has a wonderful sound, however not quite as good as the V5. I upgraded from a Yamaha 5c since the Yamaha had a nasty cut on the front or table that rendered it useless. Oh, I'm sure there were many fine ones, but I also don't get the idea of attaching a $25 mouthpiece to an expensive sax. Yes, even a novice can distinguish between the two. Maybe it's not you if you're having difficulties getting consistent sound from your piece of metal? It might be that cheap mouthpiece you're using, after all. For me, it was a "weak link" nonetheless. Although I still have a long way to go, the mouthpiece issue is resolved.
4/5
$234
I impulsively purchased this, but I was pleasantly impressed by its quality and playability. Quite edgy, yet there is also some fatness in it. The lig that came with it needed to be reshaped, but it now functions really well. I found it entertaining enough to use it during a performance. Since then, I've played on albums by Dukoff, Berg, Link, Vandoren, Beechler, Lakey, Daddario, etc. However, I felt that it didn't fit well in the mix because I also manage the sound for my band. The mouthpiece I use on a daily basis is a stock 7* Otto Link STM metal. I only tried the Aibay on one song before switching back to the Link, mostly because I found it to sound too thin. Despite this, I did feel quite at ease using it, and for only $45, it is amazing. Not as shrill sounding as a Dukoff or Lakey, but in my opinion lacking in bottom or fatness to soften the edge. I wholeheartedly endorse this for a learner seeking to advance to a modern, slightly edgy work. Additionally, as opposed to my 7* Link, this piece plays more like a 5 or 6 opening. Unbelievably, I preferred this item to the Daddario 7 that I previously purchased. Although the Dadarrio had a powerful tone, it lacked color and character, and I had to alter my embouchure to make it work. It flat-out refused to play altissimo with the fibracel reeds that I use.
3.9/5
Tenor sax mouthpiece
The efficiency of the facing design and the accuracy of the finishing make Premiere alto and tenor saxophone mouthpieces ideal all around mouthpieces
Extremely versatile, capable of producing a variety of tonal colors for a variety of musical styles
Medium or medium hard reeds cut with a strong center and thinner sides (such as the Rico Jazz Select, LaVoz or Vandoren Java) work well with the overall mouthpiece and facing design
Each model is produced with one preferred facing
$234
Plastic, yet it sounds good. For the price, it is unbeatable. Don't settle for anything less than D'Addario Select Jazz reeds when using them. I wish I could locate a Rovner ligature for it. A 3R is way too huge, and my 2R doesn't fit.UPDATED: Worked with Rovner to identify a fitting ligature. It turns out that a 2R does fit; perhaps mine was simply incorrectly labeled.
3.9/5
Facing length: 23mm
Available in three tip openings and three chambers
A5 model for Tenor saxophone
Durable; will not chip or crack
Tip opening: .095"
$234
I bought it based on other reviews, and at the price, it's hard to go wrong. changing a low-cost US Selmer MP. What I truly enjoy about it is that it offers a neutral or moderate response. Although it might sound bad, what that really means is that it falls in between my Berg Larsen metal MP and my Selmer S80 C*. The Selmer is silky and creamy, while the Berg is vivid and strong. Depending on how hard you push the Graftonite C7, it can play smooth or edgy. So you might pick the Selmer if you knew you were going to perform smooth jazz or classical music. Although the Rico Graftonite can do both, you could choose the Berg if you knew you were going to rock out. When you compare the cost of $20 or so to $150 or more, it's rather remarkable. When I was in school, I wished I had one of them, but I didn't know any better.
3.7/5
Tip opening: .105"
Available in three tip openings
Facing length: 24mm
M7 model for Tenor Saxophone
Durable; will not chip or crack
$234
This serves as my official mouthpiece. People who hire me have said they enjoy my sound, I've been informed. My range is higher than the high Eb by two octaves. I have used expensive mouthpieces, and while they are great, I am not as wealthy as some people, so I cannot afford to spend $300 to $700 on a mouthpiece. Additionally, ever since I started using the Rico, I have lost all motivation to set money aside for something that can be lost and is incredibly difficult to recover, all because I became accustomed to playing an expensive instrument. In the end, the musician is not only the patron; they are also a person who has to make sacrifices to reach their position. When I practice and grow accustomed to the same mouthpiece and horn, I employ the k.i.s. method. I find it easier and respond more quickly due of familiarity.
3.5/5
Made out of high quality phenol resin (plastic)
Design is based upon the top grade Custom Series
Easier to play, and easier for beginning students to achieve a rich characteristic saxophone sound
1.8mm tip opening
Provides a somewhat richer tone with greater variety of colors than 4C and excellent flexibility and response. Popular with soloists
$234
excellent basic mouthpiece I purchased it to replace the mouthpiece that was included with my new Jupiter tenor 586 sax. I have been pleased thus far. The Yamaha mouthpieces were recommended to me as a beginner's mouthpiece since I wanted to start playing my instrument as firmly as possible. I chose the 5c instead of the 4c, which might be more popular, as it was the recommendation of several music retailers I trust.
3.4/5
Note: Mouthpieces do not come with ligatures or caps, except mouthpiece kits.
$234
Oh my..... I didn't realize how much of a difference a mouthpiece could make. At the end of February, I purchased my first tenor sax. I've only been playing for less than 6 months, but my instructor told me that I need to invest in a Selmer C* in order to acquire the massive sound I want. After purchasing my sax from Amazon, I had it checked out locally. Everything was fine, and I tested a variety of mouthpieces before deciding that the leather ligature was the only one that worked for me. I was reminded six months later that I tried the mouthpieces before I learned how to play the sax. I concurred, but I wasn't yet willing to shell out over $150 for a mouthpiece, so I tried this one instead. I can say that it is a remarkable improvement over the stock mouthpiece that comes with my tenor, though obviously I can't compare it to the C*. My deep notes are enormous, and my tone is richer. I'm grateful. This will keep me playing until the next year, when I will have established that I am a player and not simply a student. I am VERY HAPPY with this mouthpiece for the time being.
When choosing a mouthpiece, there are a few factors to consider. First, you need to decide what size mouthpiece you need. There are three basic sizes: small, medium, and large. You also need to decide what type of mouthpiece you need. There are two basic types: open and closed. Finally, you need to decide what style of mouthpiece you need. There are four basic styles: traditional, contemporary, classical, and jazz.
When choosing a mouthpiece, it is important to consider the size, shape, and material. The size of the mouthpiece should be comfortable for the player, and the shape should allow for proper airflow. The material should be durable and easy to clean.
A 3C mouthpiece is not necessarily better than a 5C, as it depends on the player's needs and preferences. A 3C may be better for those who need a more open mouthpiece, while a 5C may be better for those who need a more closed mouthpiece. Ultimately, it is up to the player to decide which mouthpiece is best for them.
There is no definitive answer to this question as it depends on the player's individual preferences. Some players find that a 3C mouthpiece gives them a fuller, richer sound while others prefer the brighter sound of a 7C. Ultimately, it is up to the player to experiment with different mouthpieces to see which one works best for them.
There is no definitive answer to this question as it depends on the individual player's mouth anatomy, embouchure, and reed preference. Some players find that a 3C mouthpiece helps them to produce a clear, focused sound on high notes, while others find that it makes it more difficult to control their sound. Ultimately, it is up to the player to experiment with different mouthpiece sizes and tip openings to find the one that works best for them.
A 7C mouthpiece is a good choice for beginners because it is a versatile size that can be used for a variety of instruments. It is also a good size for people with small mouths.
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