No, all shock mounts are not the same. Depending on the application, shock mounts can be very different. For example, a shock mount for a car would be very different than a shock mount for a computer.
No, mic mounts are not universal. Each type of microphone has a specific mount that is designed for it. There are different sizes and shapes of mic mounts, so it is important to choose the right one for your microphone. If you are unsure, you can always ask a salesperson or look up the specifications online.
Shock mounts are not strictly necessary for dynamic microphones, but they can be helpful in reducing handling noise. If you are using a dynamic mic for live vocals, a shock mount can be a good investment.
4.7/5
Compatibility: Desk stands
Extension Tube Size: 3" (7.62 cm)
$234
I have a Shure SM7b and just acquired a Rode PSA1. Even though I really enjoy the PSA 1, the mounting attachment is relatively short, which means that when I turn the microphone left or right, the XLR port on the SM7b fork-arm runs into the wingnuts. With the SM7b sitting further away from the wingnuts thanks to this extended arm, I can freely swivel the microphone without running into any obstacles.The only issue I have with it is that it has a fairly glossy metal appearance that doesn't go with any of my professional audio gear. The female 5/8ths adapter is also rather deep. It was recessed far enough into the PSA1 that I needed to use numerous 3/8th to 5/8th adapters to secure it. Even though I didn't deduct points for it, it was a little inconvenient for my purposes.Although it is most likely pricey for what you receive, it is a nice accessory that can aid with a few certain use-cases. And it effortlessly connected and attached to my other equipment. Should the need arise, I wouldn't think twice about getting another.
4.5/5
COMPATIBILITY: The shock mount is compatible with any microphone between 28mm and 31mm in diameter. It also has a detachable adapter and works with a 5/8 microphone.
WARRANTY: Includes a two year warranty
ABSORBS VIBRATION: The mount flexes its corded muscles to combat vibrations.
SECURE CLAMP WITH LOCKING KNOB: A padded clamp secures and protects the mic with a locking knob to adjust the angle 180°.
DURABLE: A steel frame ensures strength and long life
$234
The ATR 2100 and this shock mount work together pretty well, with the exception of attaching and removing the microphone. There is a split between the four rolled metal portions, as shown in the attached image. Those are usually in contact with one another and look practically welded together. The microphone did not fit straight in, so I tried pulling it open.This lost a star since I had to physically shove the microphone in until the opening forced itself to appear, after which it was much simpler to position the microphone (it still holds the microphone perfectly). However, I had previously tried for *hours* to fit it into the shock mount, and I even believed I had purchased the incorrect size. Keep trying and try to pry the back open first before giving up. However, the way MY gear was delivered made it too challenging to operate at a 5 star level.
4.4/5
Made of metal and plastic, stable to be clipped to microphone stand or music stand
Adjustable for perfect viewing angle
Note: iPad and stand are not included
Suitable for iPad and tablets from 6 inches to 9.7 inches
Make your playing and sharing music convenient
$234
I had previously bought a pricey K
4.4/5
INSTANT SETUP & REMOVAL: Comes with everything you need to quick and easy attach your tablets to any pole with 1.5″diameter and smaller; Or mount your phone to any tripod, monopod, or selfie stick with standard 1/4"-20 thread; No more complex installation, just unbox and use right away
EXCELLENT COMPATIBILITY: Fits all large tablets including iPad Pro 12.9", iPad Air 2 and iPad Air, iPad 4, 3, and 2, Samsung Galaxy View, Galaxy Note 10.1, Galaxy Note Pro 12.2, Galaxy Tab 4 10.1, Galaxy Tab Pro 10.1, Galaxy Tab Pro 12.2, Galaxy Tab S 10.5, Google Pixel C, Nexus 10, and Nexus 9, and LG G Pad 10.1, iPhone X / XS / XS Max / XR / 8 / 8 Plus 7 / 7 Plus / 6s / 6 / 6 Plus
HIGH QUALITY & DURABILITY: Built with lightweight, durable automotive grade ABS plastic; The rubber grip and grooves inside the strap allow the clamp to be firmly clipped to microphone stand or music stand; a shock- protected bike mount gives you access to your phone’s features and protects it from the elements
MICROPHONE TABLET HOLDER: A light, strong mic music stand mount fits for 4.7-12.9" screen iPad Tablet Phone and make playing and sharing music in concerts, choir class, wedding, party, meetings; Either mount directly to the boom or the upper section of the straight mic stand
360°ROTATION WITH SECURITY: Offers nearly infinite angle adjustment and the ability to rotate the iPad from portrait to landscape modes to accommodate the content being viewed on the screen without shake no matter how hard you push yourself; You won’t have to bend your neck down all the time as you enjoy music
$234
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4.3/5
This is a very nice shock mount for most large diaphragm condenser microphones.
Features an angle adjustment with locking knob.
The shock mount only fits microphone diameter ranging from 48mm ~54mm
Foam insert to hold and protect microphone
Standard 5/8"-27 thread with a 3/8"-5/8"screw adapter,so you can mount it on all the standard microphone stands.
$234
When I initially chose to order this to share with my Rode NT-1A and Samson C01-U condensers, I was dubious. Given that the "proper" mounts for those mics cost $60 and $27, respectively, I couldn't picture a shock mount so cheaply priced performing even marginally well. So I was intrigued and eager to give getting a single universal shock mount that I could utilize between both a try.I'm currently putting together an affordable DIY home studio blog post and/or YouTube/D-tube series. I know it's been done, but the other folks just talk about brand-new equipment and never emphasize how much the start-up cost can be reduced by using some used equipment instead.Anyway, my box arrived today, and I immediately screwed it onto my tripod mic stand, which it accomplished without any trouble (as was to be expected.) The NT-1A was the next thing I picked up, and much to my delight, it went straight into place and sat comfortably in the mount with no actual fiddling required.The C01-U was next. Presumably, this will also apply to the Samson C01 condenser, C03-U, and C01-U Pro because I believe they all have the same body, or one that is extremely close to it, but I could be wrong. Although much tighter, this mic also fit into the shock mount. To get the mount to accept the C01-U into the position I thought would work best for the mic, I had to slightly press on the tabs. But it's not a major problem. Even with this mic, I'm actually very pleased with the fitment.One minor issue, which most of you won't likely notice, cost me one star. the adjustment that connects the shock mount's connection to the mic stand. If you move the mic at all, there's a chance you'll need to tighten the thumbscrew again before letting go and walking away because it loosens easily, even with a simple up-or-down movement of the mount. It's best to position the microphone using two hands, and you should be prepared to tighten the mount's screw just to be safe.The actual query is... Was the mount effective in reducing noise in my recordings? It appears to have been really helpful thus far. My roommates weren't home when I used it today, though, so I won't be able to comment until after more testing. You can take the prior assertion as true if this review isn't updated.And last but not least, would I suggest this item? Absolutely. Any podcaster or musician on a tight budget should give this a try, especially if they need a mount for more than one microphone. In the range of $25 to $60, you can undoubtedly get something far better, but what's the point? This device appears to be working well so far if it works at all. Have a go at it.I should also remark that I had assumed that the "spider arms" and the most of the rest of the mount would be made of plastic, so I was pleasantly pleased when I opened the package and felt almost entirely metal, aside from the obvious shock absorption bands (which aren't metal, of course). Considering it cost roughly $14, this product seemed much more "luxury" than I had anticipated.
4.3/5
Isolates microphone from physical vibration, floor, and stand noise
Solid metal material and strong rubber bands for durable and sturdy construction
Specifically designed for the Blue Yeti microphone
$234
Since no one else had written a review, I figured I would. The mount performs as intended and has a robust, well-built feel. The mic could be held in the mount a little more securely, though, as it still wobbles after you screw it in. This is because the piece that the mic slides into is made of plastic, which flexes in a way that metal wouldn't. However, this problem was easily fixed by simply inserting the soft plastic spacers that come with the mic between the mic and the tiny fingers on the mount. This eliminated all the loose wobble and made it hold firmly. The Shock Mount comes with an adapter if your boom arm doesn't already have one, and the outer ring is composed of metal. Additionally, I think it's the most attractive and least bulky of the three Shock Mounts for Blue Yeti, and it's also the most reasonably priced.Excellent design.constructed wellincludes an adapterLowest Price Point Compared to Other Blue Yeti Shock Mounts, Has a Great LookCons: The mic wobbles little, although this may be fixed.
4.2/5
Shock mount:Made of high quality metal and high elasticity rope. It can protect the microphone all-around with high elasticity wrap roping desigh, which make the microphone more convenient to install and prevente the microphone from falling
Pop filter for microphone type: Diameter of 41mm-61mm microphone.H*L*W:8*8*8mm
Package include Microphone Shock Mount + Pop Filter,and come with one free universal connector adaper,Combination with these two making your broadcast or singing voice sounds more pleasant. Perfect with microphone suspension boom scissor arm stand
Shock mount for microphone type: Diameter of 46mm-53mm microphone. Outer frame diameter:95mm.Height:80mm.Not for blue yeti. Please Verify your microphone size before ordering
Pop filter:U-shaped double net layer structure, foam layer, metal net layer can effectively reduce the plosive, wind interference, saliva spraying
$234
Pop-filter fits over your condenser mic on a great shock mount. A Black Spider style Shock Mount that is studio-worthy and will last years with care is included in the box. I still use my CAD pop-filter to maintain a gap between the microphone and my voice so I can get a consistent level on the vocal track while using the wrap-around Condercer mic pop-filter. The wrap-around pop-filter is quite effective at preventing the dreaded "P" pop from coming through your voice. A brass Euro converter threaded sleeve to convert from U.S. to Euro threads is also included with the shock mount and pop-filter, and if you're anything like me, you can never have enough of them. My parting advice is to purchase the Shock Mount; you'll be satisfied with it, so go ahead and purchase several.SGT Huey Falls, retired USMC
4.1/5
PORTABLE SPACE SAVER. Designed to be compact and lightweight to prevent microphone drop and take up the least amount of space possible for you to work. Easily transportable to setup where you need it.
REDUCE POST PRODUCTION EDIT TIME. A shock mount is absolutely vital to isolate the microphone from the noise, vibrations and shock. It suspends the microphone on elastic bands to dissipate any vibration. You will showcase your best voice whether recording your singing, blog, podcast or voiceover.
MAKE A GREAT IMPRESSION. Alongside the Auphonix Pop Filter the Auphonix Shockmount is essential to all video recordings. We ensure the best quality so you don’t have to worry about a thing, but making a great impression!
MICROPHONE CAPABILITY. The Blue Yeti compatible shock mount is designed specifically for the Blue Yeti USB Microphone. With specially designed multi-sixed thread to fit US and Euro microphone arms (3/6†& 5/16†threads) with no adapter needed. Also a Blue Snowball compatible shock mount, it fits the Blue Snowball microphone and any microphone with a 5/8" thread.
TRY IT OUT, RISK FREE. If for any reason you are not happy with the Shock Mount we offer a 12 month money back guarantee, just let us know how we can help.
$234
This product arrived safely wrapped in shaped foam. The installation process was really simple; you simply take the Blue Yeti off of its stand and put the shock mount to the bottom where there is a big screwhole. The fact that there is some foam or felt between the metal bolt and the area where your microphone attaches so as to prevent scratching of either your microphone or mount is something I really enjoyed about this mount.There are two thread sizes on the connector at the end that connects to a microphone arm or stand. The thinner thread is more recessed, and the thicker thread is in the front, close to the top. The smaller of the two was used, and it tightened down without any problems.There were some paint chips scattered about, which I didn't like, but they were minor (about 1mm long) and could have been fixed with a sharpie. I truly have nothing to complain about as compared to the official Blue Yeti Shock mount, which costs twice as much.Positives: -It performs as expected -Strong elastic bands-Angle adjustment bolt tightens tightly -Appealing aestheticCons: -Minor paint chips ( 1mm all around) - I covered up the exposed bare (silver) metal with sharpie -Due to the foam/felt mentioned in the summary, you are unable to completely tighten down the bolt that secures the microphone, but I'd rather have no scratches than a fully tightened down bolt - in my experience, not fully tightening it down won't make it any less secure.
3.4/5
Designed for Yeti and other professional broadcast mics
Compatible with all standard shock mounts
Hand-tightened friction-hinges for smooth, quiet operation
Premium All-Tube, internal spring design
Hidden channel Cable management
$234
A few months back, I purchased a Blue Yeti microphone and was very impressed with its strength. You're in for a big surprise if you record games with a Blue Yeti. Every sound, including hitting the keyboard and moving the mouse, will be picked up.If you want high-quality recordings, using it on your desk is practically difficult.This boom arm is excellent, and pairing it with a shock mount (produced by the same firm) can help you get the best results possible. I play a lot of shooters, and when I bought these things, the banging sounds stopped.
Do I need a mic stand? If you're planning on using a microphone for any length of time, then the answer is probably yes. A mic stand will allow you to position the microphone exactly where you need it, and keep it there during your performance or recording. There are many different types of mic stands available, so you'll need to choose the one that's right for your needs. For example, if you're using a large-diaphragm condenser microphone, you'll need a sturdier stand than if you're using a small-di
A shock mount is not strictly necessary for an SM58, but it can help to reduce handling noise and protect the microphone from damage. If you are using the microphone for live vocals, then a shock mount is a good investment.
It is a common misconception that the direction a microphone is pointing has an effect on the sound it picks up. In reality, it does not matter if a mic is upside down – the sound waves will hit the diaphragm and be picked up regardless of which way the mic is pointing. So, if you're ever in a situation where you can't seem to get a good sound from your mic, don't worry about whether it's right-side up or not – just focus on finding the sweet spot.
Pop filters are designed to reduce or eliminate plosives—unwanted sounds caused by fast-moving air hitting the microphone—on your recordings. Plosives can cause your recording to sound muffled, and can even damage your microphone over time. A pop filter can help to improve the quality of your recordings, and extend the life of your microphone.
The Blue Yeti shock mount is a great investment if you are looking to improve the sound quality of your recordings. It reduces handling noise and vibrations, making your recordings sound clearer and more professional. It is also very easy to set up and use, so you can get started right away.
Microphone holders are also called mic stands. They are used to support a microphone in a fixed position.
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