Condenser mics are great for instruments because they capture a wide frequency range and have a high sensitivity. This means that they can pick up a lot of detail in the sound of an instrument, making them ideal for recording or live sound reinforcement.
Are dynamic microphones fragile? No, dynamic microphones are not fragile. They are built to withstand the rigors of live performance and are often used in touring applications.
Dynamic microphones are popular for their ruggedness, affordability, and versatility. They can be used for a wide range of instruments, from guitars and drums to vocals and brass instruments. While dynamic mics are not always the best choice for every situation, they are a good option for many live and studio applications.
Dynamic mics are versatile and can be used for a variety of music genres. They are typically less expensive than condenser mics and can handle high sound pressure levels, making them a good choice for live performances.
4.6/5
RELIABLE PERFORMANCE: Cardioid sensitive mic capsule enables easy sound pickup and smooth sound transmission, delivering state-of-art clear true sound performance. Stable fixed VHF signal ensures unsurpassed interference-free distortion-free operation, operating distance is up to 160ft line of sight in open space. Perfect for public speaking, interview, group karaoke, broadcasting, church, and outdoor events
VERSATILE USE: Easy setup wireless microphone system and convenient operation with ON/MUTE/OFF switch on both cordless mic and bodypack. Metal receiver features 2 XLR outputs and one 1/4’’ audio output jack to connect to your amplifier, mixer, or other PA system. Equipped with handheld mic, wireless headset mic, and wireless lavalier mic in one package for more flexibility. Additional Phenyx Pro bodypack/headset/lapel mics can be added
BOX CONTENTS: 4 wireless mic receiver for long range operation, 2 handheld wireless mics, 2 bodypack, 1 headset mic wireless, 2 wireless lapel mics, 1/4‘’ audio cable, AC/DC power adapter, user manual, 8 AA battery for 16hrs long hour use
WIRELESS OPERATION: Quad channel wireless headset/lapel/handheld microphone system operates in VHF frequency band to enjoy cable-free operation. Metal build receiver for durability and high quality plastics build handheld and bodypack for light-weight feature. Individual volume control to precisely balance and adjust vocal sound. Green LED lights above each volume knob enable users visualize the pair up between receiver and transmitters
DEVOTED SERVICE: Genuine Phenyx Pro audio products come with 12-month warranty. Welcome to come to us for discontinuous/defective parts. To claim warranty or to get another 6-month extended warranty for free, please contact us at service @ phenyxusa.com.
$234
Following the failure of our Shure microphone, I purchased this equipment for the church. To my amazement, this technique has shown to be incredibly trustworthy and effective. The sounds have really pleased both my pastor and the musician. To obtain the proper tone for each line, we did need to spend some time adjusting the EQ, but that is nothing to be upset about. The only issue I "had" was with the feedback; while it may seem likely to produce commotion if you utilize floor monitors, I have since purchased a Beherenger Feedback Destroyer, which transforms this system into a miracle. This works just fine when used with a UHF microphone system.
4.6/5
Sensitivity: -72dB at 1,000 Hz (Open Circuit Voltage)
Frequency Response: 50 Hz - 15,000 Hz
Can be used with Lo-Z XLR 3 Pin Balanced & Hi-Z 1/4"
Uni-Directional Dynamic Instrument Microphone
Impedance: 300 ohms at 1,000 Hz
$234
I use a Sennheiser e906 and a Shure SM57 mic for my 2x12 cab and combo amps because I play guitar and have numerous amps that are frequently mic'd up. SM57, but I decided having another wouldn't harm. I stumbled across this GLS ES57 by chance and decided there was nothing to lose given the pricing and reviews. Fantastic choice!It is undoubtedly influenced by the Shure SM57, but it differs from the original and is undoubtedly not a "copy" rather than an SM57 in disguise. You really need to know very little about these microphones to believe that the ES57 is a "fake or counterfeit" Shure product. Nothing of the type; it's similar to a 57 but distinct, and dare I say, good distinct. In fact, I like it than my original 57! Combined with my e906, it kills! I mix the two to create a killer tone. great purchase. I also have a large collection of quiet and dependable GLS instrument cables. fantastic brand so far.
4.5/5
The large-diaphragm dynamic capsule creates a rich and detailed frequency response
Designed to be a workhorse for excellent all-around voice applications
A shock-mounted capsule minimizes handling noise and ensures low frequency bumps and thumps won't get into the PA
Precisely tuned to deliver crisp, clear, and balanced vocal presence, as well as superior isolation from sound on the stage
The included humbucking coil guards against line hum for confident use near speaker cabinets and generators of EMF
The durable, tight-mesh Memraflex grille resists denting and withstands extraordinarily rough treatment
A robust, high-performance, large-diaphragm dynamic cardioid vocal microphone
$234
THE ELECTRO-VOICE ND96 VOCAL MICROPHONE IS THE SUBJECT OF THIS REVIEW (and the Electro-Voice ND96 vocal microphone only).These vocal microphones are the ones to get if you perform in a band or other loud stage setting. When they claim that this mic is the best mic overall or that it has the maximum gain before feedback, they are not joking. When we perform, band members' Shures and Sennheiser microphones occasionally cross our path, thus we pretty much run/EQ the EV's mics flat. The EV microphones are the last to feedback, if at all. And if they do feedback, it's just because the lead singer squats too near to the monitors on stage, which is easily corrected as they notice their error. We also have the same model EVs in an older version (N/D967) that are just as good.(NOTE: I have reviews of the fantastic Electro-Voice ND96 and N/D967 mics on Amazon. Yet I continue to receive email solicitations from Amazon for reviews of mics that I have never bought. Just be aware that Amazon has been known to use reviews for comparable products. I occasionally notice this behavior.) Great Mics are produced by EV.
4.5/5
WIDE APPLICATION: NW-7 professional drum set microphone is designed especially for percussive drum, jazzy drum and other instruments. Bass drum mic is designed specially for kick drums and low frequency musical instruments; Tabour mic is ideal for tom-tomsand snaredrums; Condenser mic is excellent in reproducing the sounds of cymbals, pianos, etc.
COMPATIBLE CLAMPS: Come with seven compatible mic holders, equipped with 3/8" to 5/8" screw to match with all kinds of microphone stands. And four drum clamps to fix the mic on stand, drum or other instrument
WELL PERFORMANCE: Dynamic mics adopt high output dynamic element. Equipped with a linear frequency response for superior reproduction and clear sound. Condenser mics adopt the completely new audio circuit. Feature cardioid pick-up pattern to isolates the main sound source and minimizes background noise
KIT INCLUDES: (1)Big bass drum mic with holder, (4)Small tabour mic with holder, (2)Condenser mic with holder, (4)Drum clamp with 5/8" screw, (2)Condenser mic foam windscreen, (1)Aluminum carrying box
NOTE: Features standard XLR female jack with every microphone for most audio cables. Better choice to connect with your amp or other device. The cable is not included. A convenient and lightweight carry case protects your mini microphones and allow for quick setup and safe transport.
$234
I'm still using these, to be updated. I've already hit my snare's microphone a few times, and neither it rattled nor had any problems.Wow is all I have to say. The sound quality is incredible for the price! I just received these, so I can't speak to how long they'll last, but the hardware seems sturdy, and I was pleasantly surprised by the quality of the case they arrived in. A few years back, I purchased some digital references from Guitar Center. (I paid the same for only 4 mics.) These are superior in every way. Phanom power is a wonderful match for condenser microphones. Every tom makes a loud, powerful sound. Amazing sounding bass and snare. I'm overjoyed with these microphones.
4.4/5
Metal microphone kit,unidirectional Cardioid, Vocal Sound quality is loud and clear. ideal for church, small DJ KJ stage, birthday wedding or family party, conference, classrooms, small karaoke night etc.
40 Selectable frequencies on each channel, Up to 5 Receivers & 10 Mics can be work at same time. Prevent Interference.***note: Please take 5 minutes to find a channel that doesn’t have any interference. Especially for live events
What you get: Receiver,2 microphone transmitter, power adapter, 1/4’’ audio cable, 6.35 to 3.5mm audio adapter,2 Antenna
Quick Manual frequency pairing to find and set the best available channel, Automatic transmitter setup, the channel of the transmitter and receiver can easily synchronize
Battery Life: 14-17 Hours.Working Range in wide-open area: 180-240 Ft(60-80m) line-of-sight, Extra Two XLR individual outputs and one 1/4"/6.35mm Mixed output. Better to have a power amplifier if you want to get a good effect
$234
This wireless microphone kit might be among the best you can get for the money.Let me first list the drawbacks:1. Yes, one of the microphones will have an out-of-spec frequency range, so you could not use that one. However, you could still save a ton of money by purchasing a second set and using only one of the remaining microphones.2. I am unable to find a way to have them turn on automatically when power is applied, therefore you will need to turn on your rack before turning on each of these receivers individually (unless I am missing something)3. They cannot be mounted on a rack without utilizing double-sided tape and a rack shelf.4. It is preferable to remove the antennas while moving as they are not designed to fold flat for easy storage in a gig bag.5. Because the antennas are on the rear, placing them on a rack would place them behind a lot of metal, which would restrict their range.6. On a dark stage, it is impossible to see the polarity, so you risk having someone insert the batteries and then having to start over because there is no power. Additionally, some battery types, like Kirkland (Costco), are a touch too snug, making it difficult to remove them after they are in.So what makes them so awesome, then?1. They are expertly constructed. As others have mentioned, they feel like a genuine piece of pro equipment, are substantial in your hands, and are comparable to our Sennheisers. Although we haven't dropped one, I believe that if we did, it wouldn't break apart like other cheap microphones.2. They look fantastic and go in well with our professional-grade equipment on stage, so nobody can tell we didn't spend a grand.3. The scope is more than sufficient. Our receivers are in a rack ON THE STAGE, not at the back of a church or somewhere else, but we haven't found a stage that is bigger than the coverage.4. Unlike some other brands, even higher end gear, the infrared frequency configuration is instantaneous and exact and has never failed to function as intended.5. The audio is of the highest caliber. Since I record every event, I can easily compare a Sennheiser wired to a Sennheiser wireless to an SM57 to the Innopow because I have isolated audio from each mic and band member. And what's this? Almost often, the Innopow sounds fantastic! I'm not trying to break your spirit, but quiet to loud music are really fantastic. Additionally, they have a decent pattern, which means that neither the noise from drums nor the feedback is picked up excessively by them. Like most mics, the bass response can be fantastic if you move up on it firmly. The main drawback is that it will distort much more readily than a 57 if someone belts AND cups the mike.6. The cost is an important consideration for us since, while we have three more expensive Sennheiser systems that were purchased for important band members, other band members have come and gone and others have made no investment. These are ideal for them and for guest mics. They receive what they get because it's difficult to justify purchasing everyone else's equipment, right? At least they receive a fantastic microphone that they don't feel self-conscious using!Here are my six disadvantages and your six advantages. Undoubtedly, the benefits exceed the drawbacks.And as a follow-up, I acquired a second system in March after one of the two mics in my original system perished. It wasn't dropped, so I'm not sure what occurred, but once you turned it on, the batteries would get really hot.What makes this not a "con"? Because everything has issues, my pricey bass amp passed away during the same performance!I placed an order for new microphones rather than crying about it. That price, you know, right?However, there's more! They sent me a replacement in time for Wednesday's rehearsal. Used it for the gigs on Friday and Saturday night, and it sounded excellent.My pricey bass amp will not even be examined until the middle of next week while it is in the shop.Although it's not Shure, AT, or Sennheiser, I would still buy it again and refer it to others.
4.3/5
UNDIRECTIONAL PICKUP - Features a cardioid polar pickup pattern, focusing on the sound in front of the mic, minimizing the background noise and feedback interference, great at recording for guitar, bass, drum, and other instruments.
MADE FOR INSTRUMENT - Mic with a solid frequency response of 50-16000Hz can handle extremely high sound levels such as a kick from drums or percussions and produce loud and clear sound, a perfect solution for budget-conscious musicians recording instruments.
INSTRUMENT AND VOCAL USE - Includes 16.40 ft. (5M) XLR-1/4†(6.35mm) cable and a foam pop filter for reducing breath and pop noises, allowing you to move freely whether you are on stage or at the studio; 6.35mm connector fit audios amplifiers, mixers, speaker, karaoke machine, etc.
DYNAMIC MIC - Classic moving-coil design, rugged, robust and resistant to moisture and other tough environments, makes this microphone a perfect solution for live events and recording instruments and amplifiers.
PREMIUM-QUALITY CONSTRUCTION - Full-metal body for shielding electronic interference and added reliability, works great even under a demanding situation; equipped a magnetic ON/OFF switch, effective at minimizing the impact noise of switching.
$234
To replace the built-in mic on my iPhone, I bought this microphone for my vlogging. I had considered using a USB microphone, but since I already owned a USB audio interface for my guitar, I decided that an XLR microphone would be preferable because it could be plugged right into my interface and has much better sound quality than USB microphones.This mic was a significant upgrade and performed admirably. My recording played through without a hitch and was crystal clear. It has now been great each and every time I have used it.I was given access to a friend's considerably more expensive name-brand microphone so I could compare the two. I recorded an A/B comparison of the two mics for my wife and friend to hear. Neither could distinguish between the two. The cost of this microphone was around one-third that of the more expensive one. I strongly advise.
4.3/5
Line-out for live audio applications
Utilizes a simple three mic setup for natural sound
Includes 2 Mic Boom Stands and 3 XLR Mic Cables!
High output headphone amp with both 3.5mm and 1/4" jacks
Preset audio filters designed to take the guesswork out of getting great sound
$234
For a very long time, I have waited for a "drummer's practice station" like this. Do I wish it had a built-in loop and click track with tempo changes without pitch changes? Yes, I do, but I suppose that is why we have smartphones. I was initially shocked that I wasn't hearing a "studio" sound on my headphones and felt quite disappointed. The kick made a cardboard-like sound. I did properly position the microphones, etc.I then had the idea to try a different set of headphones, and that worked. I was prepared to send everything back and, in my annoyance, spend $1,000 on professional microphones, a Behringer Xair mixer, etc. I was delighted once I heard that satisfying, thick kick sound and the inspirational drum sound. This is ideal for what I need. Vic Firth Iso headphones were on me. I turned on my Beats noise canceling, which was 100X better. I made the choice to purchase a set of Beyerdynamic DT770. I'm hoping to have the best of both worlds by combining Vic Firth's ISO with the comfort and quality of Beats. You'll be updated. Sabian will undoubtedly release the SSKIT 2.0 the following year, possibly with the option to pair it with high-quality headphones.
4.2/5
HIGH PERFORMANCE: Each Microphone piece is tuned to capture everything from low end punch to sensitive / flat sound The big drum microphone is designed for bass drums & low frequency instruments, the small drum mic is for Tom & snare drums & the overhead condenser mics are for cymbals, pianos, & vocals
INCLUSIONS: One big drum mic, 4 small drum mics; 2 condenser mics with the holder; 4 thread clip & thread inserts, 4 clamps for snare/tom mics, & 2 wind screens for condenser mics
COMPATIBILITY: Each instrument microphone is designed with the standard thread 3/8" or 5/8" to match all types of microphone stand Drum mount is also universal & can be attached to most drum rims All mics comes with standard XLR connectors to allow compatibility with most audio instruments
CONVENIENT CARRY CASE: A convenient & lightweight carry case protects your mini microphones & allow for quick setup & safe transport Includes a set of keys & briefcase-style locks to add safety to your audio accessories
COMPACT & VERSATILE: This instrumental microphone kit by Pyle Pro is designed for just about any set of drums or other musical instruments & the Compact size of the microphones makes it ideal for close recording
$234
I'll start out by introducing myself as a professional entertainment technician with stage lighting and audio experience.Bass Mic (PDKM-7A): Completely worthwhile. For sure, it's not a Shure, but even so, it's worth the price of the kit on its own. Excellent pickup quality, a low inclination to peak, a good threshold, and responsiveness Overall a little flat, but adequate for a kick mic at the beginning.Excellent quality hoop-mount dynamic tom/snare mics (PDKM-7B). They work well for snares and upper toms because pickup seems to be highest in the mid- to high-frequency range. Floor tom pickup is shoddy because the bass has a flat, if not somewhat negative, pickup.Condensors (PDKM-7C): These condensors aren't very robust. A light touch or mistreatment might cause the diaphragm to hiss and pop hysterically. Not even reachable for house repairs. However, considering their price, their pickup has amazing low- and high-frequency response. But this kit's component that I would replace first is without a doubt.Hoops Clips: Junk. Purchase a unique set. The knob friction grips give way after just a few jam sessions due to the weak build quality of plastic, leaving your microphones whirling aimlessly. If you use the medium or tight grip hoop edges, it is nearly tough to remove but is easily damaged.Condensor Clips: Acceptable; about what I anticipated. performs the task just as effectively as a typical professional microphone clip.Fantastic case that is strong and difficult to dent or nick. Although the lock is master-keyed, anyone having the kit may unlock yours, therefore its main purpose is purely aesthetic.Excellent starting value overall.
4.2/5
Tailored frequency response for open, natural sound reproduction.(Phantom Power is Required to power this device up)
Its high maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments.
The Beta 98 H/C feature transformerless preamplifier circuitry which improves linearity across the full frequency range.
The Beta98H/C features a 3 m (10 ft.) high-flex cable with attached preamplifier (XLR connection)
The pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.
$234
I looked up the clip-on microphones that the saxophonists and horn players in all of my favorite videos were using. This microphone is available in a wireless version for use with wireless systems (not familiar ).The sound is fantastic, and I've had a lot of fun using a Yamaha USB mixer with effects. My sound is more similar to the professional trumpet players' performing on cds and videos when I use delay and/or reverb. a nice improvement in the saxophone sound quality. would not want to have it at this time.
4.1/5
DEVOTED SERVICE: Genuine Phenyx Pro audio products come with 12-month warranty. Welcome to come to us for discontinuous/defective parts. To claim warranty or to get another 6-month extended warranty for free, please contact us at service @ phenyxusa.com.
VERSATILE USE: Easy setup wireless microphone system and convenient operation with ON/MUTE/OFF switch on both cordless mic and bodypack. Metal receiver features 2 XLR outputs and one 1/4’’ audio output jack to connect to your amplifier, mixer, or other PA system. Additional Phenyx Pro bodypack/headset/lapel mics can be purchased and added to the system for more flexibility
RELIABLE PERFORMANCE: Cardioid mic capsule enables easy sound pickup and smooth sound transmission, delivering state-of-art clear true sound performance. Stable fixed VHF signal ensures unsurpassed interference-free distortion-free operation, operating distance is up to 160ft line of sight in open space. Perfect for meetings, public speaking, interview, group karaoke, broadcasting, church, and outdoor events
WIRELESS OPERATION: Quad channel VHF wireless microphone system to enjoy cable-free operation. Metal build receiver for durability and high quality plastics component build handheld mics for light-weight feature. Individual volume control to precisely balance and adjust vocal sound. Green LED lights above each volume knob enable users visualize the pair up between receiver and transmitters
BOX CONTENTS: 4 wireless mic receiver for long range operation, 4 handheld wireless mics, 1/4‘’ audio cable, AC/DC power adapter, user manual, 8 AA battery for 16hrs long hour use
$234
Due to how simple everything was to use and set up, I wish I could have given this product a perfect 5 star rating. But I can't since the batteries were missing, contrary to what was stated in the descriptions, pictures, and video. There were no batteries in the slots in the box! Only two of the four mics were functioning properly. One of the faulty microphones switched on but produced no sound. The other mic had an odd rattling sound when I shaked it, as if something had already broken inside, and of course, that mic did not perform as well. I got in touch with the manufacturer in the hopes that they would respond and fix the issue. The set was fantastic, and I intended to use it at a gathering the following week.* UPDATED *I must appreciate Phenyx for sending me a brand-new set of units as soon as they discovered the defective units and for reacting so swiftly. I had to pay freight to return the original set, but they promptly repaid me. I've never had better customer service when making an online transaction. I adored this microphone set to the hilt. I was able to test out the system before the big day because I got the new set three days before the event I intended to use it for—my brother's wedding. Unexpectedly, and THANKFULLY, everything went according to plan. The after party attendees who stuck around loved the microphones and sang numerous songs together, which was fantastic. I can now save this set and use it for my own personal karaoke at home. If you want something reasonable and of excellent quality, you must purchase this! Regards, Phenyx I'm a very satisfied customer!
No, dynamic microphones do not wear out. However, the moving parts inside the microphone may become worn over time, causing the microphone to sound less clear.
No, dynamic mics do not need phantom power. Phantom power is a feature found on some condenser microphones that allows them to operate without an external power source.
Dynamic mics are great for live performances because they can handle high sound levels without distorting. However, they are not as good at picking up background noise as condenser mics. So if you're recording in a noisy environment, you may want to use a condenser mic instead.
A mixer is not necessary for a dynamic mic, but it can be beneficial in some situations. For example, if you are recording a live performance or using the mic for public speaking, a mixer can help to control the sound and reduce feedback.
The Blue Yeti is a dynamic mic that is popular for podcasting and voice-over work. It has a built-in pop filter and a shock mount to reduce vibration. It is also USB-powered, so it can be plugged into a computer without needing an external power source.
COPYRIGHT © 2019
