There's no simple answer to this question since it depends on what you're looking for in a mouthpiece. If you're a jazz player, you might find that a Bari mouthpiece gives you the big, fat sound you're looking for. If you're a classical player, you might find that a Bari mouthpiece is too big and bulky. Ultimately, it's up to you to try out different mouthpieces and see what works best for you.
Yes, different saxophone mouthpieces can make a difference. They can affect the tone and volume of the instrument, and can also make it easier or harder to play in certain registers.
When choosing a saxophone mouthpiece, you need to consider the size, material, and tip opening. The size of the mouthpiece should be comfortable for you to hold in your mouth. The material should be durable and easy to clean. The tip opening should be the right size for your playing style.
Sax mouthpieces can last for many years with proper care. However, the length of time a mouthpiece will last depends on the materials it is made from and how often it is used. For example, a mouthpiece made from a harder material like metal may last longer than one made from a softer material like plastic. Additionally, a mouthpiece that is only used occasionally will likely last longer than one that is used frequently. Ultimately, the best way to prolong the life of a sax mouthpiece is to take good care of it and avoid using it excessively.
5/5
The 'standard' for baritone players
Works best with Vandoren #2.5-#4 Reeds
Short Facing
Tip Opening - 185 (1/100mm)
$234
Approximately a year ago, I bought a BL4, and I've been using it for concert band and quartet (which plays everything from Bach to Black Sabbath). The adaptability of this mouthpiece as a whole is impressive, and the sound quality definitely improved. I used to use an inexpensive Rico Metalite mouthpiece (which is also a very good mouthpiece, especially for the cost, but too punchy for concert or classical music). I've recently experimented with a number of mouthpieces, including the renowned Selmer S-80 C*, and I have to admit that I prefer the BL4 the most. I got a BL5 to test out because it is said to have a more "classical" sound since I am now seeking a more classical sound. I can't wait to give it a try.
4.6/5
Hard rubber
Outstanding stability, accuracy and consistent facing
Standard facing
Students stepping up from a stock mouthpiece will experience a dramatic improvement in register changes and tonguing immediately in terms of tone and response
Square cross-sectioned chamber
$234
I'm a bari player in a sax quartet that plays a wide range of musical genres. Although I find that the mouthpiece works best for classical music, I am happy with the response and sound I can obtain from it when playing pretty much everything. Very good mouthpiece all around. This mouthpiece should be the one you get if money is tight.
4.5/5
Water and stain resistant high quality neoprene
Padded for ultimate protection
Soft non-abrasive interior
Zippered Closure
$234
I carry the mouthpiece and the neck I'm going to use for my baritone in a combo pouch that fits in the bell, so I wasn't sure where to put the spare neck until I saw this mouthpiece pouch. My contoured case has no inner accessory storage, therefore it rides in the exterior accessories pocket. I believe that the neck is safe being carried that way with this neoprene-padded pouch. The narrow neck of my baritone fits this purse wonderfully (Yanagisawa). If you're looking for a baritone neck or mouthpiece pouch, it doesn't get any better than this because the majority of new baritones have identical little necks.
4.4/5
Non-abrasive interior
Smooth and secure zipper closure
Backside pouch for smaller accessories
Padded neoprene protection to protect your mouthpiece from damage
Fits most baritone saxophone mouthpiece makes and models
$234
I carry the mouthpiece and the neck I'm going to use for my baritone in a combo pouch that fits in the bell, so I wasn't sure where to put the spare neck until I saw this mouthpiece pouch. My contoured case has no inner accessory storage, therefore it rides in the exterior accessories pocket. I believe that the neck is safe being carried that way with this neoprene-padded pouch. The narrow neck of my baritone fits this purse wonderfully (Yanagisawa). If you're looking for a baritone neck or mouthpiece pouch, it doesn't get any better than this because the majority of new baritones have similar small necks.
4.4/5
Water and stain resistant high quality neoprene
Zippered Closure
Padded for ultimate protection
Soft non-abrasive interior
$234
I carry the mouthpiece and the neck I'm going to use for my baritone in a combo pouch that fits in the bell, so I wasn't sure where to put the spare neck until I saw this mouthpiece pouch. My contoured case has no inner accessory storage, therefore it rides in the exterior accessories pocket. I believe that the neck is safe being carried that way with this neoprene-padded pouch. The narrow neck of my baritone fits this purse wonderfully (Yanagisawa). If you're looking for a baritone neck or mouthpiece pouch, it doesn't get any better than this because the majority of new baritones have identical little necks.
4.4/5
Zippered Closure
Soft non-abrasive interior
Padded for ultimate protection
Water and stain resistant high quality neoprene
$234
I carry the mouthpiece and the neck I'm going to use for my baritone in a combo pouch that fits in the bell, so I wasn't sure where to put the spare neck until I saw this mouthpiece pouch. My contoured case has no inner accessory storage, therefore it rides in the exterior accessories pocket. I believe that the neck is safe being carried that way with this neoprene-padded pouch. The narrow neck of my baritone fits this purse wonderfully (Yanagisawa). If you're looking for a baritone neck or mouthpiece pouch, it doesn't get any better than this because the majority of new baritones have identical little necks.
4.1/5
M9 model for Baritone Saxophone
Facing length: 26mm
Available in three tip openings
Tip opening: .120"
Durable; will not chip or crack
$234
I purchased a bari eight months ago that had a metal Otto Link 7 and the original Yamaha 5c piece. I am pleased playing the Otto Link, which costs around $200, but I read that the Metalite, which costs $25, is the current iteration of the Brilhardt, which is the tenor piece I like.For what I do, I believe the Metalite is a better piece (Jazz and Rock). The metal piece surprised me by having more force, edge, and bite than the Otto, contrary to what I had anticipated.THE WAY THIS PIECE OPENS UP THE UPPER REGISTER IS THE BEST PART OF IT!As opposed to tenor or alto, the Bari can achieve those great, rich bottom notes without the "honkyness" I have to fight off on those instruments. I am aware that the upper register's stuffiness (compared to those of tenor or alto) is a design tradeoff.Although the Yamaha 5c piece has a reputation for being simple to play, it is stuffy through the high register.The Otto works very hard to reveal these notes, but WOW! I nearly believe I am playing tenor in the upper register because the Metalite is so open! It is perfect for being filthy with your sound as well as for screaming out a solo!However, I believe the Otto would be a better choice for a microphoned performance in a small, cozy space. It plays "soft and soulful" unlike any other piece I've tried, and it has a fantastic full, round, and mellow sound. That simply doesn't work for me because I perform in a big band most of the time.Prior to learning about the M7 and M5, I purchased an M9. The M9 should be used with a soft reed, per the box. My normal #3 reed works perfectly when I use it. But in order to see if it made a difference, I had to purchase and use an M7. There was no difference in significance between these two pieces that I could see. The various facing options, in my opinion, are more of a marketing gimmick than anything else. Nevertheless, I'm interested enough to spend an additional $25 to see whether I can distinguish between the two extremes, M9 and M5. When I have a chance to spend some time on both of them, I will submit my results here or you may look under the M5 reviews.Anyone who plays bari should give this a try as it costs only $25. The M7 is in the middle, so I'd suggest that. If you're just starting out and don't like it, put it aside and give it another go a year from now when your embouchure muscles have had a chance to strengthen. I stated the power, but the concert band can also enjoy the pleasant, quiet play.When the octave key is pressed in the upper (G and higher) register on my Yamaha YBS-62, two pads open. The piece's response in the upper register may change as a result. Post about the other horns you've used, please!
4.1/5
Durable; will not chip or crack
M5 model for Baritone Saxophone
Facing length: 25mm
Available in three tip openings
Tip opening: .100"
$234
I purchased a bari eight months ago that had a metal Otto Link 7 and the original Yamaha 5c piece. I am pleased playing the Otto Link, which costs around $200, but I read that the Metalite, which costs $25, is the current iteration of the Brilhardt, which is the tenor piece I like.For what I do, I believe the Metalite is a better piece (Jazz and Rock). The metal piece surprised me by having more force, edge, and bite than the Otto, contrary to what I had anticipated.THE WAY THIS PIECE OPENS UP THE UPPER REGISTER IS THE BEST PART OF IT!As opposed to tenor or alto, the Bari can achieve those great, rich bottom notes without the "honkyness" I have to fight off on those instruments. I am aware that the upper register's stuffiness (compared to those of tenor or alto) is a design tradeoff.Although the Yamaha 5c piece has a reputation for being simple to play, it is stuffy through the high register.The Otto works very hard to reveal these notes, but WOW! I nearly believe I am playing tenor in the upper register because the Metalite is so open! It is perfect for being filthy with your sound as well as for screaming out a solo!However, I believe the Otto would be a better choice for a microphoned performance in a small, cozy space. It plays "soft and soulful" unlike any other piece I've tried, and it has a fantastic full, round, and mellow sound. That simply doesn't work for me because I perform in a big band most of the time.Prior to learning about the M7 and M5, I purchased an M9. The M9 should be used with a soft reed, per the box. My normal #3 reed works perfectly when I use it. But in order to see if it made a difference, I had to purchase and use an M7. There was no difference in significance between these two pieces that I could see. The various facing options, in my opinion, are more of a marketing gimmick than anything else. Nevertheless, I'm interested enough to spend an additional $25 to see whether I can distinguish between the two extremes, M9 and M5. When I have a chance to spend some time on both of them, I will submit my results here or you may look under the M5 reviews.Anyone who plays bari should give this a try as it costs only $25. The M7 is in the middle, so I'd suggest that. If you're just starting out and don't like it, put it aside and give it another go a year from now when your embouchure muscles have had a chance to strengthen. I stated the power, but the concert band can also enjoy the pleasant, quiet play.When the octave key is pressed in the upper (G and higher) register on my Yamaha YBS-62, two pads open. The piece's response in the upper register may change as a result. Post about the other horns you've used, please!
It typically takes a few weeks to get used to a new saxophone mouthpiece. This is because mouthpieces can vary significantly in terms of size, shape, and material. As such, it can take some time to get used to the new feel and sound of the instrument. However, once you've adjusted to the new mouthpiece, you'll likely find that it improves your playing in a number of ways.
There is no definitive answer to this question as it depends on the individual musician's level of skill and experience. Generally speaking, baritone saxophones are larger and heavier than alto saxophones, which can make them more difficult to play. Additionally, the baritone saxophone has a lower range than the alto saxophone, which some musicians may find more challenging. Ultimately, it is up to the individual musician to decide which instrument is more difficult to play.
There are a few different types of bari sax mouthpieces out there, each with their own unique benefits. While there is no definitive answer as to which is the best bari sax mouthpiece for jazz, some of the most popular options include the Otto Link Super Tone Master and the Dukoff D8. Both of these mouthpieces offer a great deal of versatility and a rich, full sound that is perfect for jazz. Ultimately, it is up to the individual player to decide which mouthpiece works best for them and their own personal style of playing.
The difference between 4C and 5C mouthpieces is that 5C is slightly larger in diameter. This makes it easier to produce a higher range of notes.
The easiest saxophone to play is the soprano saxophone. It has a small, compact body and a simple fingering system. The soprano sax is also the highest-pitched member of the saxophone family, making it easier to play in tune.
There isn't necessarily one hardest song to play on saxophone, as the difficulty of a piece can depend on the individual's level of skill and experience. However, some more challenging songs that come to mind include "The Flight of the Bumblebee" by Nikolai Rimsky-Korsakov, "Rhapsody in Blue" by George Gershwin, and "Concerto for Alto Saxophone" by Alexander Glazunov. These pieces are all technically demanding and require a high level of musicianship to execute well.
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